Paul Strand: Master of Modern Photography (Philadelphia Museum of Art)
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Discussing the artist’s prolific career, from his emergence in Alfred Stieglitz's circle in New York in the early part of the century to his years spent working abroad in places such as Mexico, France, Italy, and Africa, Peter Barberie positions Strand as a remarkably independent modernist whose priorities shifted at several points and often ran counter to prevailing trends. Amanda N. Bock focuses on the years 1930–50, when Strand thoroughly explored the role of politics in modern art and relentlessly sought to identify the greater purposes of photography and filmmaking. The edited transcript from a roundtable discussion among key scholars touches upon many aspects of Strand's various projects from the 1930s to the 1960s. A detailed chronology brings to light new information about the life and work of an extraordinarily important and influential 20th-century photographer.
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